Weddings and Funerals
I'm sitting here tonight with two envelopes in front of me. One has a red exterior and is embossed with a double fu character, a dragon, a phoenix and a cheng yu reading bai nian hao he all in gold. The other is long and white with the exception of a small black ink hand-written inscription of my Chinese name in one corner and two stains at either end where the glue has allowed the red color inside to blead through and reveal itself. These two envelopes are opposite ends of the emotional specturm expressed in paper form and resulting from days of happiness and sadness. A few weeks ago the school witnessed a sudden rush of life cycle events, but these two envelopes represent the two events that affected me the most, the wedding of my old chinese teacher and the death of the foreign affiars officer's father.
Weddings in China fill a different niche than their western counterparts, and what I attended at the Jing Yu hotel not long ago was the public face of a Chinese wedding, something a couple saves for until it can be appropriately extravagant. Couples commonly exist in a middle state between dating and wedding after the civil commitment and before putting on the ceremony for the rest of us. Before I knew this I was suprised to hear various teachers refer to someone as having a husband and a boyfriend or a wife and a girlfriend. While extramarital flings aren't the most uncommon thing in the world here, it seemed a bit excessive and my Chinese teacher last year was not a candidate, being just about the sweetest woman you could imagine. Not much taller than five feet, fraily built, and the perfect embodiment of Peter Hessler's description of 'spring onion fingers', Yu Bai Yang and her husband, a teacher at Numbner 6 Middle School a few hours away to the northwest, ended the confusion once and for all on the second of January. Now, whereas a Western wedding can feel like a marathon of speeches, eating, and dancing, Chinese weddings are the hundred meter hurdles of the celebration world. They start with a bang (as do most things when you live in the hometown of fireworks), continue as the bride and groom find their stride making a series of three bows each to their parents, the guests and each other, and then up and over the hurdles of consective toasts at each table. The guests, mere spectators at this track meet who've bought their tickets with presents of cash in red envelopes, bide their time with an immense meal of the most lavish and bizarre dishes the wedding party can come up with until they take their turn in the round of toasts. Just like that, no sooner than you're settling down to seconds of the delicious doggy dish, it's over and the guests are making for the door. On this particular occasion you can throw in a bottle and a half of bai jiu with the vice-headmaster of our school who insisted on sitting with me as opposed to the parents of the bride and groom, and there you have it. A few days later Ms. Yu gave me a red envelope returning a small portion of my present to her as an acknowledgement of recieving the gift and that is one of those now sitting before me.
The other is also an acknowledgement of a gift, but it is its lack of color and decoration that symbolize its meaning. In contrast, literally, to western traditions, the Chinese associate the color white with death. About the same time that fireworks announced the joining of so many happy couples, in a small village in the west of Liuyang a different sound filled the air and dripped from the eaves of the few small houses nearby, the sonourous tones of the suo na, or Chinese funeral horn and its accompanying chorus of wailing mourners. After an extended illness, the father of my foreign affairs officer Ms. Zeng passed away in the cold last days of 2006. Although the mourning will last for several days, the family limits itself to two moments of extreme sorrow, first when the last breath leaves the body and the second days later when relatives, draped in white, bear the casket up the mountain to the burial site. Anything more than this would be too much to take.
For me, and I realize that my stake in the event is immeasurably small, the greatest difficulty was in trying to figure out the proper etiquette in this situation. I was desperately trying to find a balance between wanting to attend the funeral to support someone who's been helpful since my arrival and the knowledge that I couldn't attend without being a distraction given that everything took place in a small countryside town that has probably never seen a foreigner. The answer lay in the traditional gift of diàn jìng, or funeral money given by those who knew the family to help defray the costs of the days long wake. Just as the red envelope beside it, the white envelope before me is an way to say thank you at a time when words might not come easily.